Comes in a 6 panel eco-wallet from Oasis Manufacturers, and contains no plastic whatsoever. Complete with detailed liner notes, album credits, and artwork
Includes unlimited streaming of Ceol ag an nGeata: Music at the Gate
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about
I learned both of these hornpipes from the late great Liam O’Flynn, whose piping has influenced anyone who first put their hands on a chanter. The first can be found in O’Neill’s (#1770), while the second was first recorded by Liam in 1980 on the Planxty album The Woman I Loved So Well. Breandan Breathnach notated the second one in his anthology published by Na Piobairi Uilleann entitled The Man and His Music. The musician in question was one of the early Sliabh Luachra fiddle masters who influenced Padraig O’Keefe and Tom Billy Murphy.
supported by 23 fans who also own “The Humours of Castle Bernard/Corney Drew's”
Absolutely sensational - love the generally low-end tones and planxty-esque set up, but most of all the incredible energy of it! Wish more instrumental trad was like this, love the fact that it's recorded live too. Prangman
supported by 23 fans who also own “The Humours of Castle Bernard/Corney Drew's”
Arragnements fit together perfectly, piping is precise, variations accentuate the tunes well and the rhythm section is dancing! Unique and enjoyable all around! MichaelD
supported by 23 fans who also own “The Humours of Castle Bernard/Corney Drew's”
Nick's settings and playing of these old tunes on his instrument are just superb. When I first saw his track list I was shocked, He had found more tracks from Oscar and Malvina than I had in years of searching. This album remains a musical and academic delight! Wetootwaag